Postman

THE POSTCARD ALBUM

POSTCARD PRINTER & PUBLISHER RESEARCH

 

Recently I was asked by a collector from the USA – she has discovered TPA via this website – if I would live for printing sample cards and trademarks only. Well, no I don’t.

Being an offset printer by professional, it has surely influenced my picture postcard likes and dislikes. I really admire some of the old, meanwhile forgotten printing techniques, what people back then have created without electronic assistance as nowadays.

But I do also appreciate well arranged and photographed views. Sometimes I also keep cards and cannot really tell why. Here comes now a small selection of my ‘favourites’.

Editors_favourite_postcards_logo
Pig_sitting_at_table_having_lunch

Pig sitting at the table having lunch – would you like to have a pig as neighbour at table? Odd promo card design, this with imprint of ‘Restaurant zur Germania’, Prop. Ernst Staigle, Feuerbach (next to Stuttgart, Germany). Good kitchen, lunch, pure wines and ‘Wulle’ beer... Not p/u, coloured halftone. Card no. IV of series 462 by?

Girl and Boy wearing clogs, probably Dutch motif. Fisher boats in background. Like the chicken showing interest in the doll on the ground. Name of paiting, artist, publisher (MJS?) covered under heavy handwriting. P/u. 1918, Switzerland

Girl_Boy_Doll_Chicken

Dresden, Main Station. A fine photographed view. Collotype printed and also published by famous “Roemmler & Jonas” from Dresden, Saxony. This firm was among the first to use the new constructed flatbed collotype presses. Most of their massive postcard output is today unfortunately often underrated.

I prefer photographic (topo) views rather the lithographer drawn and arranged cards. Despite the album corners it is a nice card. Mailed from Dresden to Belgium in July 1899.

Dresden_Main_Station
Man_in_balloon_greeting_moon

Previous shown Arthur Thiele card is replaced by a Belgium artist with ‘Bizuth’ signature (and not “Bizeth” as I and others had thought). Bizuth was the alias of Hubert Olyff (1900-1977), engineer, business man, political artist. A well done chromolithography (by “Capry” from Brux). The artist added a ‘46`to his signature = 1946 I believe. This view carries the number 1, caption (French / Dutch / English) reads “Don R’s” in occupied Germany. Reprints of this series were done using offset process by “l’Electrotypie de Genval”, Belgium.

Nenke_Ostermaier_1415

Humorous card on the airship craziness back then. Chromolitho, not signed,. embossed details. P/u in Russia, postmark illegible. Printed in Germany (Ser. 8600), could be a HWB, Berlin, production.

> I really enjoy cards with ‘industrial’ topics, men at work, machinery etc. Especially French, but most of all Belgian photographers and publishers did great series. This card shows a female worker of a coal mine in her working outfit. “Edition Alexandre à Lens”. P/u early 1915 (German fieldpost).

Nouvelle_serie_des_mineurs
Bizeth_1946_in_occupied_Germany

I am quite used to wind mills. It is more the way the entire view of the two Dutch wind mills was arranged, incl. the colouring that makes it attractive to me. Printed by photochrom(ie) process by a firm that I also admire: Nenke & Ostermaier from Dresden. Not p/u, div. back. N&O card no. 1415.

Nenke_Ostermaier_logo_small

Strange humour? Egypt, porter with heavy load. The writing on the right case reads: ‘Dr. T. & Co.’, the initials of publ./printer Dr. Trenkler & Co., Leipzig. Series 1713, card 4. Not p/u.

Trenkler_Egypt_porter

And that’s it for the moment. Now you know that I don’t live for printing trade related / postcard related cards only.

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